70 BPM to MS: Delay Time Chart
Every delay time, LFO rate and reverb pre-delay at 70 BPM, the tempo of dub, downtempo, slow R&B and half-time trap, straight, dotted and triplet.
Updated · By Niraj Kumar
https://checkpre.com/music/70-bpm-to-ms
↑ ↓ nudge by 1, with Shift by 0.1. One beat = 857.14 ms.
Delay times · click to copy
| Note | Straight | Dotted | Triplet |
|---|---|---|---|
| 2 bars | |||
| 1/1 (bar) | |||
| 1/2 | |||
| 1/4 | |||
| 1/8 | |||
| 1/16 | |||
| 1/32 | |||
| 1/64 |
Reverb pre-delay & decay
- Pre-delay
- Decay
- Total
- Pre-delay
- Decay
- Total
- Pre-delay
- Decay
- Total
- Pre-delay
- Decay
- Total
A starting point: shorten the decay until the tail stops masking the next phrase.
Bar & sample length
Delay time → BPM
70 BPM
How long is a beat at 70 BPM?
At 70 BPM a quarter note lasts 857.14 ms (60,000 ÷ 70). An eighth is 428.57 ms, a dotted eighth 642.86 ms, a sixteenth 214.29 ms and a sixteenth triplet 142.86 ms. A one-beat LFO runs at 1.17 Hz, and one 4/4 bar lasts 3,428.57 ms.
quarter note (ms) = 60 000 ÷ BPM; note = quarter × q;
dotted = note × 1.5; triplet = note × 2/3; rate (Hz) = 1000 ÷ ms;
bar = quarter × beats × 4 ÷ unit; samples = seconds × sample rateThis page uses the same method as the BPM to MS Calculator, which explains each term and assumption in full.
| Note | Straight (ms) | Dotted (ms) | Triplet (ms) | Straight (Hz) |
|---|---|---|---|---|
| 2 bars | 6,857.14 | 10,285.71 | 4,571.43 | 0.146 |
| 1/1 (bar) | 3,428.57 | 5,142.86 | 2,285.71 | 0.292 |
| 1/2 | 1,714.29 | 2,571.43 | 1,142.86 | 0.583 |
| 1/4 | 857.14 | 1,285.71 | 571.43 | 1.17 |
| 1/8 | 428.57 | 642.86 | 285.71 | 2.33 |
| 1/16 | 214.29 | 321.43 | 142.86 | 4.67 |
| 1/32 | 107.14 | 160.71 | 71.43 | 9.33 |
| 1/64 | 53.57 | 80.36 | 35.71 | 18.7 |
Worked example
A dub mix at 70 BPM with tape-style echoes on the snare
- 1Quarter note: 60,000 ÷ 70 = 857.14 ms
- 2Eighth note: 857.14 ÷ 2 = 428.57 ms; dotted: 428.57 × 1.5 = 642.86 ms
- 3Sixteenth triplet: 214.29 × 2/3 = 142.86 ms
- 4LFO once per beat: 1000 ÷ 857.14 = 1.17 Hz
- 5Hall reverb: pre-delay 1/64 = 53.57 ms, decay 6,803.57 ms to end on 2 bars
At 70 BPM: 857.14 ms quarter, 642.86 ms dotted eighth, 142.86 ms sixteenth triplet, 1.17 Hz per beat.
Frequently asked questions
What is the dotted eighth delay time at 70 BPM?
642.86 ms. An eighth note at 70 BPM is 428.57 ms, and a dot adds half again: 428.57 × 1.5 = 642.86 ms. The dotted quarter is twice that, 1,285.71 ms, and the plain quarter 857.14 ms.
What music is made at 70 BPM?
Mostly dub, downtempo, slow R&B and half-time trap. 70 BPM is the home of dub and slow R&B, and the half-time feel of 140 BPM trap and dubstep, so the same delay times work for both. Dub engineers traditionally ride the delay feedback by hand, and a dotted eighth or quarter-note echo on the snare is the signature sound.
What is 70 BPM in half time and double time?
Half time is 35 BPM, with a 1,714.29 ms quarter note; double time is 140 BPM, with a 428.57 ms quarter note. A delay set to a quarter note at 70 BPM is a half note in double time and an eighth note in half time, so it stays in sync either way.
Related calculators
- BPM to MS CalculatorOne tempo in, every straight, dotted and triplet note out in milliseconds and hertz, with reverb pre-delay and loop lengths. Tap the tempo, click to copy.
- 60 BPM to MS: Delay Time ChartEvery delay time, LFO rate and reverb pre-delay at 60 BPM, the tempo of ambient, film score and slow ballads, straight, dotted and triplet.
- 80 BPM to MS: Delay Time ChartEvery delay time, LFO rate and reverb pre-delay at 80 BPM, the tempo of lo-fi hip-hop, soul and slow rock, straight, dotted and triplet.
- Delay Time CalculatorTempo-synced delay times for pedals, outboard units and plugins without a sync button: every note value straight, dotted and triplet, ready to copy.
- BPM to Hz Calculator for LFO RatesSynced LFO, tremolo and clock rates in hertz for any note value, for synths, modular and pedals whose rate knob reads Hz.
- Reverb Pre-Delay CalculatorTempo-synced pre-delay and decay times for a hall, a large or small room and a tight ambience, so the reverb tail clears before the next hit.